In 1847, Júlia Szendrey married Sándor Petőfi, the most important Hungarian poet of the era, who, a few months later, in March 1848, played a key role in the outbreak of the Hungarian revolution demanding bourgeois transformation and freedom of the press. Petőfi took an active part both as a poet and as a soldier in the revolution and the following War of Independence of 1848-1849 (separation from the Habsburg Empire) until he disappeared in one of the last battles.
Júlia Szendrey, left alone with their common child, searched for him unsuccessfully for a long time in the following months. In July 1850, she fled her desperate situation into a new marriage to Árpád Horvát, who worked as a university professor.
Most of her contemporaries deeply condemned her action, as they would have expected her to spend the rest of her life in the role of "the nation's widow". The new marriage was evaluated as a rejection of this, a betrayal of her husband and her country. Although by the 1860s she had become a recognized writer (the most significant female poet, writer and translator of the era), only the figure of the muse and the unfaithful wife who threw away the widow's veil was fixed in the cultural memory. Her image until the turn of the century was almost unanimously negative, taking a new direction only then.
Why and how did Júlia Szendrey, considered as a masculine personality in the 19th century, become a symbol of emancipated, modern femininity in the 20th century? Why did she become the "Hungarian George Sand"? The lecture seeks answers to these questions, researching how the great Hungarian and European female roles (muse, writer's wife, blue stockings, eccentric woman, revolutionary woman, femme fatale) are represented in the texts and works about Júlia Szendrey by the authors grouped around the magazine Nyugat, symbol of modernity.